From Farsley to Leeds Station – exhibition captures history of textiles

24 May 2019

The rich history of Farsley’s historic textile industry at Sunny Bank Mills is being vividly celebrated at Leeds Station.

Eight colourfully-illustrated panels, inspired by the region’s weaving and textile industry, have been installed on columns on the main platforms at the station. They show different textile weaves layered with quotes of weaving terminology and processes.

The designs have been inspired by the wonderful collection of materials and oral history records from former mill workers from the archives of Sunny Bank Mills, the family-owned textile mill in Farsley.

sunny bank mills leeds station art

The panels have been created by Elise Liversedge and Mary Hooper as part of their Arts Council-funded touring art project, Last Station.

Rachel Moaby, Archive Curator at Sunny Banks Mills, who guided Elise and Mary’s research, said:

“From my perspective, it was really interesting to see how the artists interpreted the collection from the cloth and weave to the words and stories of the people who worked here.

“This was a wonderful testament not only to the history of Sunny Bank Mills history but also to the textile heritage of Leeds and Yorkshire. It is a stunning celebration of the heritage of textiles.

“I am also very pleased and happy with the part Sunny Bank Mills played in the project and excited by the many thousands of people that will have the opportunity to look and read the art work while passing through Leeds Station.”

Elise Liversedge said:

“Visiting Sunny Banks Mills opened up an inspiring archive of the working life of a family-owned mill founded in 1829 – from tiny weights and measures to an amazing collection of thousands of exquisitely woven Merino wool and Cashmere suit fabrics.

“Alongside the swatches of material samples from the 19th Century to the 1980s, are objects that show a tangible working life of the mill: peg card books, dye testing record books, thread sample books, accounts, ledgers, tools for testing cloth, magnifiers for invisible mending and an additional social history archive to help in understanding the working lives in the mill during the 20th century.”

John Gaunt, joint managing director of Sunny Bank Mills, added:

“It has been an honour to help with this high-profile celebration of the city’s rich textile history. We hope some rail passengers will take the time to appreciate this amazing art work and reflect on how textiles shaped the city’s character.”

The panels will be on display over the coming year.

The project is supported by Arts Council of England National Lottery Grants for the Arts, Network Rail and Sunny Banks Mills Archive.

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